| Matlock
Bath, Illuminations & Venetian Fête in the 1950s |
| Matlock Bath, Twentieth Century Photographs, Postcards, Engravings & Etchings |
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A setpiece from the 1950's. |
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Matlock Bath's annual Illuminations, also known as the 'Venetian Nights'
or 'Venetian Fête', were introduced as a way of extending the
tourist season into late August and September and, much more recently,
even into early October. They began slightly before 1900[1].
The Illuminations were candlelit for many years, but changed to electric
lighting in 1950. The annual event became extremely successful in
the 1950s when the webmistress's father, Frank Clay, painted the set
pieces and when Wilfred Wright was responsible for so cleverly lighting
them. "Wilfred worked slavishly during the months preceding the
event[2]".
"At the end of the last century [19th century] it was decided
to light the Lover's Walks with fairy lights. These were bucket lights,
like little jam jars, and were designed to burn for 1-3 hours. The
Jubilee Bridge used to be illuminated by small gas lamps[2]"."Pre
War [WW2] the event was held as a one night stand on the first Saturday
night in September[2]".
"After the War the Venetian Fête started up again and the
committee bought a secondhand set piece from Blackpool of a little
girl skiing down a hill. They decided it wasn't the way they wanted
to go. Wilfred Wright had been involved before the War and asked me
[Frank Clay] if I'd be prepared to help when we were working at the
same property[2]". "Frank
Higton, Mr. Walker Hall and Fred Fowkes were the real beginners of
the Venetian Fête and Joe Oliver was also heavily involved ...
Between the Wars Mr. Walker Hall had a budget of £20, which
included the cost of the boys running around with tapers to keep the
candles alight. His £20 didn't include Fireworks[2]".
"After the first year of my involvement, which was a great success,
the committee decided to extend the display period by a few days.
The organisational factors - police, electricity supply, council,
&c. - had been ironed out and the 'Illuminations' were underway[2]".
Every year there was a formal switching on ceremony of the Illuminations,
and a week later one very special Saturday evening's entertainment
- the Fête itself. The town band played in the band stand, there
was an enormous firework display accompanied by the "Ooos"
and "Aaah's" from both the bandstand and the crowd on the
Promenade, plus a competition of decorated boats. Visitors streamed
in, many using the train service from cities such as Manchester and
Derby. The Promenade was very crowded and visitors also lined the
roads on the hillside above.
Preparing for both the Venetian Fête and the Illuminations took
a long time and the event was organised by the Matlock Bath Venetian
Fête Committee (by 1960 this had changed to the Matlock Bath
Illuminations & Venetian Nights Committee)[3].
Everyone had to work extremely hard. During the summer months the
Holme Road workshop that my father used for his business was a hive
of activity. My father was hugely creative and produced hundreds and
hundreds of designs during his seven year involvement.
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His subjects included well loved characters from children's
books, ranging from Lewis Carroll's "Alice" and
the "The Mad Hatter's Tea Party" she attended to
Enid Blyton's "Noddy and Big Ears". Nursery rhymes
also appealed to the children, with characters like Old Mother
Hubbard. There were dwarves, elves, Dick Whittington, Disney's
"Snow White", the Man in the Moon as well as The
Mekon, Dan Dare and Digby who were characters in the "The
Eagle" comic. Larger set pieces included The Men From
Mars and the United Nations Band as well as the Willow Pattern
Story.
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For quite a few years the hardboard replica of Big Ben remained the
first thing visitors saw on crossing over Jubilee Bridge to the Lovers'
Walk side. And the castle high up above the bandstand, which was 16
feet by 16 feet, was also there for some time (see photograph above).
Pretty good considering the pieces were painted on hardboard. My father
may have painted the front, but his children were amongst those who
painted the backs to protect the pieces from weather damage.
Erecting the lights must have been a hazard in itself as the "wooded
slopes and limestone tors of the Lovers' Walks" were lit up.
There was also, on occasion, the additional problem of the river.
During late August 1954 the workers were "soaked to the skin,
toiled away in the driving rain ... to complete the layout of the
illuminations for the official opening on Saturday, but all the time
the river rose ominously. The swollen waters mounted at the rate of
more than a foot an hour until the river was about eight feet above
the normal summer level, and work had to be suspended while some of
the designs and set pieces near the water's edge were made safe. Men
waded into the water to prevent them being washed away"[4].
The illuminated boats were lit by candles in tiny glass jars and were
a truly magical sight for any child (or adult). Here, too, there was
huge creativity and also some humour; sometimes there were minor glitches.
Mrs. Boden told the webmistress that her brother Remo Tinti erected
a miniature Eiffel Tower on his boat one year. Everything had to be
carefully measured to ensure it would pass under Jubilee Bridge. Unfortunately
for Remo, the river levels rose so his Eiffel Tower seems to have
turned into more of a Leaning Tower as it struck the Bridge.
My father produced an advertisement for Remo Tinti which was attached
to the back bumper of his car and also covered the boot; it would
be banned today. It was a large painted cartoon of Remo made of hardboard
and with a circular plate bearing the words "The Man in White".
This was the nickname created because he wore a white suit as band
conductor and compere, something he did brilliantly. "I [Frank
Clay] was performing at the time in Gilbert and Sullivan's 'The
Gondoliers' and the idea occurred to dress the attendants in that
sort of costume. A watered down 'compromise' was decided upon - to
provide a white suit for the compere - and "The Man in White"
was in business[2]".
The Illuminations and Venetian Nights are still an annual event in
Matlock Bath, but now cover an even longer period. However, for the
purposes of this page the text covers largely only the time of my
late father's involvement and the resurgence of the Venetian Fête
in the 1950's. Celebrations haven't continued every year since 1900
or so, of course, but the original glass jars that held the lights
to decorate the Lovers Walks and the boats are still in use today.
Can you help?
If you have any old photographs in your album of the set pieces done
in the 1950's, please email the webmistress
Travelling
to the Venetian Fête or Venetian Nights - view some railway
posters |
Photograph, part of the Frank Clay collection, and additional information
provided by and © Ann Andrews
Compiled from family archives. Intended for personal use only
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References:
[1] "The Derbyshire Times",
Friday 26 August 1955. Mr. E. B. Wakefield, M.P. for West Derbyshire,
switched on the lights. In his speech he "humorously remarked
that the Venetian Nights started in the year in which Mr Broome and
himself were born (1903)". Mr. Broome was the then President
of the Committee. Whilst Benjamin Bryan, in his book "Matlock,
Manor and Parish" (1903), refers to the celebrations that
took place to mark the Jubilee of Queen Victoria in 1897 and describes
"a procession of illuminated boats on the river and simultaneous
illumination of the walks by coloured fires" he does not mention
the event reoccurring in the years that immediately followed. Until
further checking has been done, the webmistress is unsure whether
it became an annual event at this time although today this is widely
believed to be the case.
[2] Reminiscences of the late Mr. Frank Clay,
from his private papers and notes owned by the webmistress. His first
memory of the Venetian Fête was in 1913.
[3] Comparison of unpublished letter in web
mistress's possession written on printed headed notepaper and 1960's
letter from the renamed committee elsewhere on this website
[4] "The Derbyshire Times",
Friday 24 August 1954
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